A belated Happy New Year, overdue apologies for my long absence from these pages, and thanks to loyal followers who have continued to support me during my times of unexplained disappearance.
There was a story on the BBC this morning about Pocahontas and her resting place at St George’s Church in Gravesend, Kent, and that has pushed aside for now the theme I had all planned for today’s post. A ceremony at the church marked the 400th year since the death of Pocahontas (also known as Rebecca Rolfe, and was attended by US Ambassador Matthew Barzun, as well as a direct descendant of Pocahontas, John Rolfe.
Pocahontas provides one theory behind the name of La Belle Sauvage Yard, which no longer exists, but the name of which – like that of Bleeding Heart Yard – has fascinated people for centuries and generated many theories.
That font of London historical knowledge, John Stow, believed that the earliest occupant of the inn was one Arabella Savage, known as Bell Savage, and that her name provided inspiration for an imaginative sign painter. There is evidence that Savage was a local name: in 1380 a certain William Lawton was sentenced to an hour in the pillory for trying to obtain money, by means of a forged letter, from William Savage of Fleet Street.
Another theory came from Joseph Addison, founder of The Spectator, an 18th-century daily publication, who was intrigued by the inn’s sign, which showed a savage man standing by a bell. He was, he said, “very much puzzled by the conceit of it” until he read a French novel in which is described a beautiful young woman who was found in the wilderness and was called ‘La Belle Sauvage’.
Yet another theory is that, in the 17th century, when John Rolph, or Rolfe, brought his bride to England, they stayed at the inn. In honour of the beauty and gallantry of this foreign wife, the name was changed to La Belle Sauvage. The bride in question was Pocahontas.
Pocahontas was a Native American who was captured by the English during Anglo-Indian hostilities in 1613, and held for ransom. During her captivity, she converted to Christianity, took the name Rebecca, and chose to remain with the English. In April 1614, she married tobacco planter John Rolfe in what is the first recorded inter-racial marriage in North American history.
The Rolfes travelled to London to seek investment for their tobacco farm, and the couple became celebrities. When the couple set sail to return to Virginia, Pocahontas became ill, died at the age of 21, and was buried in Gravesend.
The printing works of Cassell, Petter and Galpin were based at one point in the yard, and Pocahontas became the symbol for what became today’s publishing company of Cassell’s. There was once a statue of Pocahontas in Red Lion Square, commissioned by the company when it moved there.
According to a contemporary newspaper report, “To retain the firm’s link with La Belle Sauvage, and that neighbourhood’s own fanciful connection with the Princess Pocohontas, Cassell’s commissioned a larger than life size statue of the ‘Beautiful Savage’ to grace the entrance of the firm’s headquarters.” The statue was removed in the 1980s and sold to a private buyer in the 1990s.
The sculptor Grinling Gibbons used to live in the yard and is said to have carved a pot of flowers that shook with the motion of passing coaches. John Evelyn saw the carving and was so impressed that he recommended its creator to Charles II.
The yard was also home to an inn, once one of the most splendid of London’s coaching inns. At one time it had 40 rooms and stabling for 100 horses; by the 19th century the capacity for horses had increased to 400.
The inn was also a place for all kinds of entertainment, serving roles as disparate from coffee house to a centre for bull baiting, and a place where plays were performed before the advent of theatres. One of the favourites who acted there was Richard Tarlton (or Tarleton) the actor and clown said to be the basis for the character of Yorick in Hamlet.
Another famous person associated with the inn was the William Banks (or Bankes); a prosperous vintner of Cheapside, and also a showman, who was mentioned by Tarleton. Banks’s most famous act involved a trained gelding called Marocco.
Marocco could play dead, identify certain members of the audience (such as those wearing glasses), distinguish between certain colours, and even urinate on command. He could also count: if coins were collected from spectators, Marocco, by stamping his hoof, could indicate from whom the coins came and how many came from each person.
Banks and Marocco later moved to Paris, where Banks was arrested and accused of sorcery; he had to reveal that the horse’s tricks were in the main accomplished through subtle gestures. From there the pair went to Orléans where Banks was again arrested for sorcery and sentenced to burn at the stake. He was given one last chance and, to redeem himself, Banks taught Marocco to kneel down before a cross, proving that he was not a devil.
One account of Banks suggest that, following Marocco’s death in 1605, he worked in James I’s stables, and later trained horses for George Villiers, Duke of Buckingham.
Earlier in the inn’s history, it marked the end of Wyatt’s 1554 rebellion: it was here that he turned back and rested when he discovered that the people would not support him.